Dr. Andrew E. Hershberger

DR. ANDREW E. HERSHBERGER
Associate Professor of Contemporary Art History
School of Art, Fine Arts 113, Bowling Green State University
Bowling Green, OH 43403, (419) 372-2895
aehersh@bgnet.bgsu.edu, http://personal.bgsu.edu/~aehersh

	Updated: 01/01/09
EDUCATION

2001	Ph.D. Princeton University, Department of Art and Archaeology
	Primary fields of study: contemporary art; photography; critical theory
	Diss.: "Cinema of Stills: Minor White's Theory of Sequential Photography"

1999	M.A. Princeton University, Department of Art and Archaeology
	Primary fields of study: modern art; photography; critical theory
	General Exams: passed "With Honors"

1996	M.A. University of Chicago, Department of Art History
	Primary fields of study: modern art; photography; critical theory
	Thesis: "William Henry Jackson and the 'Gathering of the Ghost Dancers:'
	Foucault's 'Author-Function' in Late Nineteenth-Century Photography"

1992	B.F.A. University of Arizona, Department of Media Arts (Summa cum Laude)
	Primary fields of study: photography, film and video production; screenwriting
	Screenplay: "Sons of Zebedee" (Writer's Guild of America # 486124)


PROFESSIONAL EXPERIENCE

2007-present	Associate Professor of Contemporary Art History
	Bowling Green State University, School of Art

2006-2008	Chair, Division of Art History
	Bowling Green State University, School of Art

2003-2007	Facilitator and Co-Facilitator
	Invited to lead "Research & Teaching Faculty Learning Community"
	BGSU's Center for Teaching, Learning & Technology

2001-2007	Assistant Professor of Contemporary Art History
	Bowling Green State University, School of Art

1998-2001	Curatorial Assistant, Research Assistant and Cataloger
	David H. McAlpin, Class of 1920, Photography Study Center
	Princeton University Art Museum

1998-2000	Teaching Assistant (3 semesters)
	Prof. Peter C. Bunnell, ART 248 and 348, History of Photography
	Prof. Hal Foster, ART 214, Contemporary Art: 1950-2000
	Department of Art and Archaeology, Princeton University

1995-1997	Interlibrary Loan Lender
	Harlan Hatcher Graduate Library, University of Michigan

1994-1995	Photo Editor, Chicago Art Journal, Vol. 5 (Spring 1995)
	Department of Art History, University of Chicago

	Sarah Lee Lecturer, Docent for a Day Program
	The David and Alfred Smart Museum of Art, University of Chicago


GRANTS / FELLOWSHIPS / AWARDS

2009	Visiting Fellowship, St. Hilda's College, University of Oxford, UK
	Part of the first group of male visiting research fellows to join the SCR

	Visiting Scholar, Arizona Senior Academy, University of Arizona
	$1,700 + accommodations and some meals for five lectures on
	"Photography and Geology: Interdisciplinary Landscapes"

2008	John Teti Fellowship (inaugural), New Hampshire Institute of Art, NH
	$24,000 award for researching in NHIA's Teti Library Special Collections

2007	Coleman Dowell Fellowship for Study on Experimental Works
	Fales Library and Special Collections, New York University
	$2,500 award for research in the David Wojnarowicz Archive

	Visiting Scholar, Arizona Senior Academy , University of Arizona
	$1,700 + accommodations and some meals for five lectures on
	"Abstract Expressionism: Painting, Photography, Film"

2006-2007	Research and Development Grant [4th]
	$3,000 assoc. w/ Research and Teaching Faculty Learning Community
	BGSU's Center for Teaching, Learning & Technology

2006	Visiting Scholar, Arizona Senior Academy , University of Arizona
	$1,700 + accommodations and some meals for five lectures on
	"Histories of Photography: Diorama to Digital"

2005-2006	TECS Program (Technology Enhanced Classroom Support)
	Six awards: Fall 2002, S 2003, F 2003, S 2004, S 2005, & F 2005
	$30,000 ($5,000 / semester) for ARTH 146, 440, 456, 495, 457, & 602

	Research and Development Grant [3rd]
	$3,000 assoc. with Research/Teaching Faculty Learning Community
	BGSU's Center for Teaching, Learning & Technology

	Ex Libris: Authors & Artists Award [for publications]
	Friends of the University Libraries, BGSU

2004-2005	Speed Grant for Professional Development
	$350 to attend Art History Conference in Cincinnati

	Research and Development Grant [2nd]
	$3,000 assoc. with Research/Teaching Faculty Learning Community
	BGSU's Center for Teaching, Learning & Technology

2004, Fall	Speed Grant for Professional Development
	$350 to attend Arts Computing Conference in London

2004, Summer	Ansel Adams Research Fellowship [list of fellows]
	Center for Creative Photography, University of Arizona
	$2,500 award for research in the CCP's collections and archives

	Speed Grant for Professional Development
	$350 to attend Faculty Learning Communities Conference in Oxford, OH

2003-2004	Research and Development Grant [1st]
	$3,000 assoc. with Research/Teaching Faculty Learning Community
	BGSU's Center for Teaching, Learning & Technology

	Ex Libris: Authors & Artists Award [for publications]
	Friends of the University Libraries, BGSU

2003, Fall	Medici Circle Grant, Bowling Green State University (New York)

	General Education Faculty Learning Community (with stipend)
	Declined in order to lead Research/Teaching Faculty Learning Community
	BGSU's Center for Teaching, Learning & Technology

2002-2003	Content Development Grant: "Art History Digital Slide Library Project"
	BGSU's Center for Teaching, Learning & Technology
	$13,000 requested and funded [in CAA News Sept. 2002, p. 19]
	See grant project documentation including online film
	[primary author, with Dr. Rebecca Green and Marce Dupay]

2002, Spring	Medici Circle Grant, Bowling Green State University (Visiting Lecturer)

2001, Fall	Medici Circle Grant, Bowling Green State University (Field Trips)

2001, Spring	Spears Travel Grant, Art and Archaeology, Princeton (Italy)

2000, Fall	Spears Travel Grant, Art and Archaeology, Princeton (Spain)

2000, Summer	Princeton University Graduate School Summer Stipend

1999, Summer	Mellon Dissertation Seminar Funding

1998, Summer	Mellon Summer Language Funding (French)

1997-2001	Princeton University Graduate Fellowship

1990	American Institute of Architects Honor Award (Photography)

1988	American Institute of Architects Merit Award (Photography)


PUBLICATIONS

Under contract	Hershberger, Andrew, ed., Photographic Theory
	(Oxford and Boston: Blackwell Publishers, under contract)

2009	Senam Okudzeto, Susette S. Min, Martin Beck, Lucy Soutter, Gareth James,
	Odili Donald Odita, Andrew E. Hershberger, and Jon Rubin,
	"The Currency of Practice: Reclaiming Autonomy for the MFA,"
	Art Journal 68, 1 (Spring 2009), 40-57. [from 2007 CAA Conf.]

	Andrew Hershberger, Maria Spence, Paul Cesarini, Andy Mara, David Albrecht,
	Jeff Gordon, Canchu Lin, and Kathleen Jorissen, "The Ripple Effect: Lessons from
	a Research and Teaching Faculty Learning Community," [from 2005 Lilly Conf.]
	Journal on Excellence in College Teaching 20, 3 (2009), 145-173.

	David Cayton and Andrew Hershberger, “After Images: A Visual Timeline of
	Artistic and Stylistic Comparisons,” in Art Fundamentals: Theory and Practice,
	11th ed. (New York: McGraw-Hill, 2009), 278-303.

2007	Hershberger, Andrew, "The Medium Was the Method: Photography and
	Iconography at the Index of Christian Art," in Futures Past: Thirty Years
	of Arts Computing, CHArt: Computers and the History of Art Yearbook,
	vol. 2, eds. A. Bentkowska-Kafel, T. Cashen and H. Gardiner
	(Bristol and Portland: Intellect Books, 2007), 63-76. [contents]

2006	Hershberger, Andrew. "The Past, Present and Future of the History of
	Photography: Interviews with P. Bunnell, G. Garner, and B. Salvesen."
	History of Photography 30, 3 (Autumn 2006), 203-211.

	Hershberger, Andrew. "Performing Excess / Signaling Anxiety: Towards
	a Psychoanalytic Theory of Daguerre's Diorama."
	Early Popular Visual Culture 4, 2 (July 2006), 85-101.

	Hershberger, Andrew. "Bordering on Cultural Vision(s): Jay Dusard's
	Collaboration with the Border Art Workshop / Taller de Arte Fronterizo."
	Art Journal 65, 1 (Spring 2006), 82-93.

	Hershberger, Andrew. "Krauss's Foucault and the Foundations of
	Postmodern History of Photography." History of Photography 30, 1
	(Spring 2006), 55-67.

2005	Hershberger, A., P. Cesarini, J. Chao, A. Mara, H. Rajaei, & D. Madigan.
	"Balancing Acts: Tenure-Track Faculty in Learning Communities."
	Academe 91, 4 (Jul-Aug 2005), 44-48. [online contents, article, editorial]

	Hershberger, Andrew. "The 'Spring-tight Line' in Minor White's Theory
	of Sequential Photography." In Human Creation: Between Reality and Illusion,
	edited by Anna-Teresa Tymieniecka, series editor for Analecta Husserliana:
	The Yearbook of Phenomenological Research (Springer, 2005), 185-215.

2004	Hershberger, Andrew. "The Medium Was the Method: Photography and
	Iconography at the Index." A. Bentkowska-Kafel, T. Cashen and
	H. Gardiner, eds. Futures Past: Twenty Years of Arts Computing
	CHArt Conference Proceedings, Vol. 7 (2004 [2005]). ISSN 1473-2157

	Hershberger, Andrew. "Art's Digital Database(s): On Flexibility and
	Other Potential Benefits." CAA News 29, 5 (September 2004), 14-15. [.pdf]

2003	Hershberger, Andrew. Review of The Illuminating Mind in American
	Photography: Stieglitz, Strand, Weston, Adams, by David P. Peeler.
	History of Photography 27, 1 (Spring 2003), 91-93. [notice; quote]

	Hershberger, Andrew. "Teaching with AMICO Library Digital Images."
	PDF version of invited 2003 presentation on The AMICO Library website

2002	Hershberger, Andrew. "Malraux’s Photography." History of Photography
	26, 4 (Winter 2002), 269 - 275.

2001	Hershberger, Andrew. "Cinema of Stills: Minor White's Theory of Sequential
	Photography." Ph.D. Dissertation, Princeton University. 352 pages.
	Libraries that own: Princeton University, Art Institute of Chicago, UCLA
	UMI Publication Number AAT 3007217. ISBN 0-493-16631-9

2000	Hershberger, Andrew. "Felice Beato in Macao? Notes on a Panoramic
	Photograph at Princeton." Arts of Asia 30, 2 (March-April 2000), 103-111.

Under review	Hershberger, Andrew. Cinema of Stills: Minor White's Principles of
	Sequential Photography [book manuscript under review at a press]


PROFESSIONAL RECOGNITION

2007	Bonnie Blankinship. "Fellowship funds Hershberger's look at photography's
	'dark side.'" Monitor (Feb. 5, 2007) [about Coleman Dowell fellowship]

2006	Karen Vanmeenen, "Pedagogy and Pluralism," Afterimage (May-June, 2006)
	[about 43rd SPE National Conference, Chicago, March 2006, incl. my paper]

2005	Rex Dolby, "Photography Exhibit Opens Sunday," includes my portrait
	The Times Bulletin, Van Wert, OH (Sept. 28, 2005), B3. Review of the
	28th Annual October Photography Exhibit [I was the sole juror.]

	Vivienne Toye, "Review of the CHArt 20th Annual Conference 2004:
	Futures Past - Twenty Years of Arts Computing," University of London.
	CHArt Newsletter (Spring 2005). [descibes my paper as "excellent"]

	Editor, "Findlay Art League: Juried photo show opens today,"
	The Courier (March 4, 2005). Newspaper review of Photo 23:
	23rd Annual Juried Photography Show [I was the sole juror.]

	Loren C. Pigniolo. "Photographic Negatives Research Project."
	Invited to participate as an interviewee for a MLS thesis project
	San Jose State University, School of Library and Information Science

2004	Bonnie Blankinship and Colleen Vallo Cooke. "Digital Database ARTstor
	Opens Door to World of Art." BGSU Magazine 5, 3 (Fall 2004), 12.
	Issue title: "Integrating New and Emerging Technologies"
	[paper edition includes interview and color portrait photograph]

	Invited by Kimberly Harvey, User Services Coordinator for ARTstor,
	to supply an example PowerPoint file of one of my lectures for their use
	in revising and updating ARTstor's "Offline Image Viewer" [Nov. 8, 2004]

	Allison Halco. "ARTstor Provides Digital Arts Images." BG News 99, 36
	(Oct. 18, 2004), 1-2. [includes interview in both paper and online editions]

	Bonnie Blankinship. "Digital Database ARTstor Opens Door to World
	of Art." Monitor Monthly (May 2004), 3. [paper only; includes interview
	and color portrait; revised and supplemented for BGSU Magazine]

	Bonnie Blankinship. "BGSU Art Historian Wins Prestigious
	Photography Fellowship." Monitor (Feb. 2, 2004), 4. [online and .pdf file;
	online edition includes both interview and color portrait]

2003	Jennifer Trant, "AMICO Annual Members Meeting Report" (July 2)
	Summary of my invited presentation at AMICO's meeting [pdf, see p. 7]

	Quoted in Matthew Mirapaul, "Far-Flung Artworks, Side by Side Online"
	New York Times (May 22, 2003) "Circuits" Technology Section online
	and paper edition "Circuits" Technology Section E, p. 8
	[translated into Spanish for Clarín.com]

	Charly Bauer and Jane A. Carlin. “The Case for Collaboration: The OhioLINK
	Digital Media Center.” Journal of Library Administration 39, 2/3 (2003),
	69-86; and in Digital Images and Art Libraries in the Twenty-First Century,
	ed. Susan Wyngaard (New York: The Haworth Information Press, 2003),
	69-86. [my work with OhioLINK cited at length on pp. 82 and 86]

	Editor, "TECS Partner with Faculty," Connect: The Newsletter
	of the Office of the CIO, Vol. 1, No. 1 (March 2003), 3.
	[notes my work with TECS in print and online newsletter]

	Cited in Mary Beckinsale, "Notes from the Director"
	SACI Newsletter, Issue 28 (Spring 2003), p. 2.
	Studio Art Centers International, Florence, Italy

2002	Professor Anne McAuley. "Graduate Studies in the History of Photography."
	Recognized in this document (p. 3) published on Princeton's Department of
	Art & Archaeology website

1998	Peter C. Bunnell, et al., Photography at Princeton: Celebrating Twenty-
	Five Years of Collecting and Teaching the History of Photography
	(Princeton, NJ: Princeton University Art Museum, 1998)
	Publication assistance cited in the the "Acknowledgments" (p. x)


EXHIBITIONS CURATED, ASSISTED, JURIED, ETC.

2005	28th Annual October Photography Exhibit [Oct 2-28]
	Invited by the Wassenberg Camera Club's Rex Dolby to be the sole
	juror and to be interviewed for a newspaper article on the show
	289 submissions, 19 selected to share $1,225 in awards
	Van Wert, Ohio

	49th Annual June Art Exhibition [June 5-July 1]
	Invited by the Wassenberg Art Center's Kay Sluterbeck to be one of
	two jurors and to write a "Juror's Statement" for inclusion in the catalog
	235 submissions, 13 selected to share $1,625 in awards
	Van Wert, Ohio

	Photo 23: 23rd Annual Juried Photography Show [March 4-11]
	Invited by The Findlay Art League's co-chair Dale DeVene to be the
	sole juror and to write a "Juror's Statement" for inclusion in the brochure
	180 submissions, 13 selected to share $1,000 in awards
	Findlay, Ohio

2004	The Dark Side of Photography [June 3 only]
	print-room seminar and show proposal
	in conjunction with my Ansel Adams Research Fellowship
	The Ford Motor Company PrintViewing Room
	Center for Creative Photography, University of Arizona

2003-2004	54th Annual Faculty/Staff Exhibition [Nov. 22 - Jan. 18]
	Displayed my article, "Malraux’s Photography," in
	History of Photography 26, 4 (Winter 2002), 269 - 275.
	Dorothy Uber Bryan Gallery, School of Art, BGSU

2002-2003	Earth's Beauty Revealed: The Nineteenth-Century European Landscape
	Assisted curators Betsy Rosasco and Peter Barberie by authoring
	a lengthy wall label for a drawing by Louis-Jacques-Mandé Daguerre
	Princeton University Art Museum [Oct. 5, 2002 through Jan. 12, 2003]

2001-2002	Glimpses of the East: Photographs from the Ananda K. Coomaraswamy
	Collection. Co-curated with Thomas Leisten and Shari Kenfield
	Department of Art and Archaeology, Princeton University

2000-2001	Reconstructing the Mshatta Façade in Jordan: A Digital View of Rediscovered
	Nineteenth-Century Photographs. Co-curated with Prof. Thomas Leisten,
	Shari Kenfield, David Connelly, and Kirk Alexander
	Department of Art and Archaeology, Princeton University
	[conducted tour for Queen Noor of Jordan during her visit, May 2000]

2000	Surviving the Photograph: Works from the Museum Collection
	Co-curated with Marta Weiss, assisted by Prof. Peter Bunnell and Toby Jurovics
	Princeton University Art Museum [for conference with same title]

1998-1999	Photography at Princeton: Celebrating Twenty-Five Years of Collecting and
	Teaching the History of Photography. Assisted curator Prof. Peter Bunnell
	with details of catalog publication and exhibition
	Princeton University Art Museum


CONFERENCES / PRESENTATIONS

2007, Fall	Panelist and Table Discussion Leader: "Teaching and Learning @ BGSU"
	Center for Teaching, Learning & Technology New Faculty Conference
	Bowling Green State University [August 9]

2007, Spring	"Framing Ohrdruf: Photographs of the First Nazi Concentration Camp
	Discovered by American Forces," with Ted Rippey, German Dept. BGSU
	Midwest Art History Society Annual Conference
	Indiana University/Purdue University at Indianapolis [March 28-31]

	"The Ripple Effect: Lessons from a Research and Teaching Faculty Learning Community"
	Lead author of a co-authored poster presentation [March 23]
	First Annual Teaching and Learning Fair, Bowling Green State University

2006, Spring	"Daguerre's Diorama: A Bit of Photography's Pluralistic Future in Its Pre-History?"
	Society for Photographic Education National Conference
	[selected by a three-part peer review from 139 proposals]
	Chicago [March 23-26]

	"The Dark Side of Photography: A History of Negative Imagery"
	College Art Association 2006 Annual Conference [poster session]
	Boston [Feb. 22-25]

2005, Fall	"Publish or Perish and the Ripple Effect: Lessons From a Research and
	Teaching Faculty Learning Community" - Leader of a panel presentation
	The 25th Annual Lilly Conference on College Teaching
	Miami University, Ohio (abstract) [Nov 17-20]

	"Cultural Domestication and Instinctual Desire in Czech Photography"
	Invited by Prof. and Curator Debra Davis, in conjunction with her show
	Cultural Domestication-Instinctual Desire: Contemporary Czech Art
	University of Toledo, Center for the Visual Arts [Nov. 3]

	"ARTstor: Who Benefits and How?"
	Invited by Christine Bentley, Art Historian
	Two presentations: one open to all faculty, the other for Art faculty
	The University of Indianapolis, Art & Design Department [Sept. 30]

2005, Spring	"Krauss's Foucault and the Foundations of Postmodern Photo History"
	Midwest Art History Society Annual Conference [program p. 6]
	University of Cincinnati [April 7-9]

	"The Flow of the Sequence in Minor White's 'Cinema of Stills'"
	College Art Association 2005 Annual Conference [my session]
	Atlanta, Georgia [Feb. 16-19]

	"The Basics of Teaching and Researching with ARTstor"
	Invited by Department Chair Ardine Nelson
	The Ohio State University, Department of Art [Jan. 31]

2004, Fall	"The Medium Was the Method: Photography and Iconography at the
	Index of Christian Art"
	CHArt 2004 Futures Past: Twenty Years of Arts Computing
	Birkbeck College, University of London [Nov. 11-12]

	"Teaching the History of Photography with ARTstor, AMICO, & OhioLINK"
	Invited by Fred Marsh & Ardine Nelson, Conference Co-Chairs
	Midwest Society for Photographic Education Regional Conference
	Columbus, OH [Nov. 6]

	"The Past and Future of Photography at the Iconographical 'Index'"
	Midwest Society for Photographic Education Regional Conference
	Columbus, OH [Nov. 5]

	"Art History Goes Digital"
	Invited by Dean Elizabeth Cole to address BGSU's Arts Advocates
	College of Arts & Sciences, Bowling Green State University [Sept. 24]

	"Introduction to ARTstor" [three venues]
	Art Resource Center, School of Art, BGSU [Oct. 29]
	Pallister Conference Room, Jerome Library , BGSU [Sept. 9]
	Arts Roundtable, Bowen-Thompson Student Union, BGSU [Sept. 2]

2004, Summer	"Balancing Acts for Junior Faculty: Cross-Pollination and the Power of Positive
	Peer Pressure" - Leader of Panel Discussion on Research & Teaching FLC
	International Faculty Learning Communities Conference
	Miami University, Ohio (program and abstract) [June 18-19]

	"Negative Prints in the History of Photography"
	in conjunction with the Ansel Adams Research Fellowship
	Center for Creative Photography, University of Arizona [June 3]

	"The 'Spring-tight Line' in Minor White's Theory of Sequential Photography"
	International Society for Phenomenology, Aesthetics, and Fine Arts
	Harvard University (program) [May 14-15]

2004, Spring	"Changing Art History with New Technologies: OhioLINK, AMICO, ARTstor"
	Invited by Prof. Barbara Groseclose and Dept. Chair Myroslava Mudrak
	The Ohio State University, Department of History of Art [April 23]

	"Subverting Visual Culture with Cultural Vision: The Border Art Workshop's
	Collaboration with Jay Dusard"
	Midwest Art History Society Annual Conference (see p. 7 of program .pdf )
	University of Notre Dame [April 3] (see pp. 4 and 17 for abstract .pdf)

	Co-leader of workshop on "How New Technologies Change Art History"
	Invited by Denise J. Massa, Curator, Notre Dame Art Slide Library
	Midwest Art History Society Annual Conference (see p. 7 of program .pdf )
	University of Notre Dame [April 3] (see pp. 4 and 18 for abstract .pdf)

	"Re-Placing the Tijuana/San Diego Border circa 1985: Jay Dusard
	and the Border Art Workshop/Taller de Arte Fronterizo"
	Society for Photographic Education National Conference
	[selected by a three-part peer review from a record 158 proposals]
	Newport, Rhode Island [March 25-28]

	"Teaching Art History Digitally at BGSU"
	Invited by Dean Donald Nieman and Director Katerina Ray
	to address BGSU's Trustees and President Ribeau
	School of Art, Bowling Green State University [March 2]

2003, Fall	"Photography and OhioLINK's Digital Media Center"
	Invited by Dr. Roger Ray, Director, Humanities Institute
	Humanities 2000 and Toledo Museum of Art Workshop
	in conjunction with Modern American Photography show
	Toledo Museum of Art, Center for the Visual Arts [Nov. 22]

	"The TECS Program at BGSU"
	Invited by Dr. Kevin Work and Mr. Steve Kendall at IMS
	2003 BGSU Northwest Ohio Technology Fair
	Bowen-Thompson Student Union Ballroom, BGSU [Oct. 23]

	"Bordering on Cultural Vision: Photography, Performance, and the BAW/TAF"
	Society for Photographic Education Mid-Atlantic Annual Conference
	The College of New Jersey, Ewing, NJ [Oct. 18]

	"How Digital Image Databases Can Enhance Teaching and Research"
	Invited by Nancy Allen, Director of Museum Relations, ARTstor
	The Andrew W. Mellon Foundation, New York [Oct. 17]

2003, Summer	Panelist: "Enhancing Teaching & Learning Through the Use of Rich Media"
	Center for Teaching, Learning & Technology New Faculty Conference
	Bowling Green State University [August 14]

	Keynote Address: "Teaching Art History with Digital Technology" [June 28]
	Invited by Kate Johnson, Minneapolis Institute of Arts Education Division
	Minneapolis Institute of Arts & Walker Art Center's ArtsConnectEd (pdf)

2003, Spring	"Teaching with AMICO Library Digital Images" [May 8]
	Invited by Executive Director Jennifer Trant, The AMICO Library
	AMICO Annual Meeting, Museum of Contemporary Art, San Diego

	"Daguerre's Diorama" [March 24]
	Invited by Prof. Dennis Hale, BGSU Journalism Department
	Announced in Sentinel-Tribune (03-22-03) and Toledo Blade
	Toledo Camera Club, Toledo Botanical Gardens Conference Center

	Two-day graduate seminar on "American Photography" [delayed to 2005]
	Invited by Director Saturnino Aguado and Coordinator Rosa Barroso
	Institute for North American Studies, University of Alcalá, Spain

2002, Fall	"Using OhioLINK's Digital Images in the Classroom"
	CHArt 2002 Digital Art History Conference [abstract; newsletter]
	British Academy, London [Nov. 14-15]

	"Teaching the History of Photography with Digital Images"
	Midwest Society for Photographic Education Regional Conference
	Grand Valley State University, MI [Nov. 7-10]

2002, Summer	"Internet Research Tools for Artists and Art Historians"
	GradSTEP: Graduate Student Enhancement Program [Aug. 21]
	Bowling Green State University

	"Rich Media in the Classroom: A Panel Discussion"
	Center for Teaching, Learning & Technology New Faculty Workshop
	Bowling Green State University [Aug. 15]

2002, Spring	"The Time between Photographs in Minor White's Theory of the Sequence"
	Midwest Art History Society Annual Conference [April 18-20]
	Milwaukee Art Museum, WI [session on "Photography and Its Subjects"]

	"Art History Digital Slide Library"
	Presentation to Faculty Learning Community [April 9]
	Center for Teaching, Learning & Technology, BGSU

2001, Fall	"The Time between Photographs in Minor White's Theory of the Sequence"
	Examining Perspective conference, Brad Masoni, Chair
	Program in Comparative Literature and Italian Studies
	The Graduate Center, CUNY, New York

2000	Public Gallery Talk: "Agents and Tensions in Surviving the Photograph"
	Princeton University Art Museum

	Conference Exhibition Welcoming Remarks: Surviving the Photograph
	With Co-curator Marta Weiss introduced participants to show opening
	Princeton University Art Museum

1999	"Felice Beato in Macao? Notes on a Panoramic Photograph at Princeton"
	Invited by the Docent Association
	Princeton University Art Museum


GUEST LECTURES

2007, Fall	"Industrialization and the City: Engineering and Historicism" [3rd invitation]
	Invited by Prof. Katerina Ray, ARTH 440/540 Modern Architecture
	Bowling Green State University [Aug. 28]

	"Framing Ohrdruf: Photographs of the First Nazi Concentration Camp
	Discovered by American Forces," with Ted Rippey, German Dept. BGSU
	Invited by Prof. Deborah Orloff, ART Documentary Photography
	University of Toledo [Sept. 20]

2005, Fall	"Industrialization and the City: Engineering and Historicism" [2nd invitation]
	Invited by Prof. Katerina Ray, ARTH 440/540 Modern Architecture
	Bowling Green State University [Aug. 30]

2005, Spring	"Minor White's 'Cinema of Stills'"
	Invited by Prof. Gretchen Garner, ART 695.10 History of Photography
	The Ohio State University, Department of Art [Jan. 31]

2004, Spring	"Industrialization and the City: Engineering and Historicism"
	Invited by Prof. Katerina Ray, ARTH 440/540 Modern Architecture
	Bowling Green State University [Jan. 26]

2003, Fall	"Brünnow's Photographs of the Mshatta Façade"
	Invited by Prof. Leslie Blacksberg, ARTH 495 Islamic Art
	Bowling Green State University [Dec. 10]

	"Weimar Photographic Essays" [3rd invitation]
	Invited by Prof. Theodore Rippey, GERM 615 German Culture Seminar
	Bowling Green State University [Nov. 25]

	Guest Discussant at Graduate Seminar [Nov. 18]
	Invited by Prof. Rosalie Politsky, ART 693 Pedagogy and Research
	Bowling Green State University

	"Andy Warhol and Pop Art" [Nov. 13]
	Invited by Prof. Scott Gallaway, ACS 200 American Culture Studies
	Bowling Green State University

	"From Pictorialism to Digital Photography" [Sept. 18]
	Invited by Prof. Dena Eber, ARTC 400/586 Digital Photography
	Bowling Green State University

2003, Spring	"Negative Time in Minor White’s Theory of the Sequence" [April 7]
	Invited by Prof. Christopher Mead
	University of New Mexico, Dept. of Art & Art History

	"Weimar Photographic Essays" [2nd invitation]
	Invited by Prof. Theodore Rippey, Weimar Culture Seminar
	Bowling Green State University

2002, Spring	"Weimar Photographic Essays" [1st invitation]
	Invited by Prof. Theodore Rippey, Weimar Culture Seminar
	Bowling Green State University

2001, Fall	Guest Discussant at Graduate Critique
	Invited by Prof. Mille Guldbeck, 2D Critique Class
	Bowling Green State University

	"Art History: An Introduction to the Discipline"
	Invited by Prof. Michael Arrigo, FIG, Freshman Interest Group
	Bowling Green State University

2001, Spring	"The Time between Photographs in Minor White’s Theory of Sequences"
	Invited by Prof. John C. Lavezzi
	Bowling Green State University

2000	"Is There an Ethical Culture School of Photography?"
	Invited by Prof. John Wilmerding, ART 371, American Art and Modernism
	Princeton University

1999	"Metaphorical Photography / The Sequence"
	Invited by Prof. Peter C. Bunnell, ART 248, History of Photography
	Princeton University

1998	"Sequential Photography"
	Invited by Prof. Peter C. Bunnell, ART 348, History of Photography
	Princeton University


PROFESSIONAL SERVICE

2005, Summer	Poster Contest "Be Kind to Animals" [May]
	Invited by the Wood County Humane Society to judge the winners
	of their exhibition at the Wood County District Public Library
	26 entries, 4 selected to receive $25 each in awards

	Submitted anecdote for "Support OhioLINK" Initiative
	My comments were published on OhioLINK's website

	Digital Asset Management Committee [first meeting 04/27/05]
	Invited to join new committee by BGSU's CIO Bruce Petryshak
	as follow up to Multi Media Server Task Force below

2005, Spring	Submitted anecdote for CAA's "Orphan Copyrights" Initiative
	My comments were published on pp. 19-20 of CAA's official statement
	to the US Copyright Office

2004, Fall	Technology Fair, Jerome Library's ARTstor Table
	Bowling Green State University [Oct. 21]

2004, Spring	Contributor, Department of Art & Archaeology Newsletter, Spring 2004.
	Princeton University (print and online versions, p. 34)

2003-2004	ARTstor Advisory Group
	Performed lead role in bringing ARTstor to our campus
	University Libraries, BGSU

	Gallery Advisory Board, School of Art
	Bowling Green State University

	Faculty Advisor, Friends of the Humane Society
	Bowling Green State University

	Academic Keys Who's Who in Fine Arts Higher Education
	Selected for inclusion in this database of "leading and
	influential experts" [Aug. 21]

	Art Resource Center Review Committee, School of Art
	Bowling Green State University [first meeting July 15]

	Multi Media Server Task Force [first meeting 06/30/03; last 05/20/04]
	Invited to join new committee by BGSU's CIO Bruce Petryshak
	One of only fifteen BGSU faculty and staff selected

2003, Summer	Wood County Humane Society Wine & Cheese [July 25]
	Benefit and Silent Auction, Otsego Hall, near Grand Rapids, OH
	Helped set up; placed signs out in the community

2003, Spring	Interviewed by Matthew Mirapaul for article on AMICO Library
	for forthcoming New York Times "Circuits" high technology section
	Bowling Green State University [Mar. 12]

	Contributor, Department of Art & Archaeology Newsletter, Spring 2003.
	Princeton University (print and online versions, p. 35)

	Signed petition on "The Threat to World Heritage in Iraq"
	International scholars for the safeguarding of Iraqi cultural heritage
	Delivered to the United Nations and UNESCO on 14 April 2003

	TECS Program (Technology Enhancement Classroom Support)
	TECS Advisory Board Meetings [Feb. 26, etc.]
	One of two BGSU faculty selected to join this committee

	Interviewed on paper and digital video by CTLT to create DVD about the
	Content Development Grant: "Art History Digital Slide Library Project"
	Bowling Green State University [Feb. 14 and 28]

2002, Fall	Bob Elliott, "Liberating and Photographing Dachau Concentration Camp"
	Assisted Mr. Elliott with presentation and discussion
	Invited by Dr. Theodore Rippey, German Culture and Civilization
	Bowling Green State University, Ohio

	Tech Fair, CTLT Content Development Grant Table
	Bowling Green State University [Oct. 17]

	Contributed grant announcement to CAA News, September 2002 issue.
	College Art Association newsletter (online and print versions, p. 19)

2002, Summer	National Association of Schools of Art and Design (NASAD)
	BGSU's School of Art was reaccredited by NASAD in 2002.
	At the request of Prof. Charlie Kanwischer, Graduate Coordinator in
	the School of Art, I wrote a draft of the "Graduate Program Report"
	for the art history MA degree program.

2002, Spring	Charles E. Shanklin Research for Excellence Awards ($1,200 - $700)
	Served as juror for BGSU humanities graduate student research
	Student Presentations (April 23), Awards Ceremony (May 3)
	Bowling Green State University

	Contributor, Department of Art & Archaeology Newsletter, Spring 2002.
	Princeton University (print and online versions, p. 31)

2002-2005	Arts and Humanities Curriculum Committee, College of Arts & Sciences
	Duties: curriculum revision and development
	Bowling Green State University (two year appointment + extension)

	B.A. Art Student Advisor, School of Art
	Bowling Green State University (~15-30 students annually)

2001-2003	Graduate Standards Committee, School of Art
	Bowling Green State University

	Contributor, Department of Art & Archaeology Newsletter, Spring 2001.
	Princeton University (print and online versions, pp. 6, 7, 9, 14)

	David Travis, Curator of Photography, The Art Institute of Chicago
	briefly consulted with me about Minor White's sequences for his show
	Sight-Set-Sequence: Photographs from the Permanent Collection

2000	Contributor, Department of Art & Archaeology Newsletter, Spring 2000.
	Princeton University (print and online versions, pp. 4, 8, 12)

	Contributor to The Newsletter, Fall 2000, The Art Museum
	Princeton University

1999	Contributed nine black-and-white photographs to Architectural Programming
	and Predesign Manager, by Robert G. Hershberger. New York: McGraw-Hill,
	1999. 42, 65-70.

1993	Co-authored historical text to accompany photographs by George Stocking
	“The Mame Mine, Courtland.” Arizona Highways (sold December)

1991	Contributed color photograph to “AIA Component Awards 1991.”
	Architecture Magazine, Vol. 80, No. 3 (March 1991), 51.

1990	Contributed un-credited photograph to “SAC/AIA Design Awards.”
	SAC AIA Perspective (Fall 1990), 6. Official newsletter of the Southern
	Arizona Chapter, American Institute of Architects


PROFESSIONAL AFFILIATIONS

2003-Present	CHArt - Computers and the History of Art

2002-Present	Midwest Art History Society

	Society for Photographic Education

1998-Present	College Art Association

1994-1996	The Photographic Society of The Art Institute of Chicago

1994-1995	Center for Creative Photography, Tucson, Arizona

1990-1992	National Academy of Television Arts and Sciences, Arizona Chapter


LANGUAGES

Spanish	Reading and translating, basic speaking

German	Reading and translating, basic speaking: passed reading proficiency exams at
	Princeton University, Nov 1997, and University of Chicago, March 1995

French	Reading and translating, basic speaking: passed reading proficiency exam at
	Princeton University, Aug 1998


ADDITIONAL SKILLS

Art conservation	Infrared reflectography, black-light viewing, and x-ray examination techniques
	Teacher: Norman Muller, Conservator, Princeton University Art Museum

Art exhibition	Photographic exhibition preparation: framing, matting, hanging, installing
	Teachers: Peter Bunnell and Toby Jurovics, Princeton University Art Museum

Websites	Art history course web page creation with interactive scripts
	BGSU's ARTH 146, 440/540, 456/556, 457/557, 495/582, and two 602's
	Teachers: Will Howarth and Audrey Wright, WebStudio 2001, Princeton

Digital imaging	High resolution scanning and stitching for exhibition Reconstructing the
	Mshatta Façade in Jordan: A Digital View of Rediscovered Nineteenth-
	Century Photographs. Teacher: Kirk Alexander of Princeton’s ETC

Film / Video	Writing, shooting, and editing film and video with synchronous sound
	Teachers: Ken Bergsma, Alfonso Moises, and Michael Gillette, U. of AZ

Photography	35mm, 6x4.5cm, and 4x5in, with black and white negative and infrared,
	and color negative and slide. Black and white processing and enlarging.
	Color processing and enlarging (Type C and R).
	Teachers: Jack Stuler and Eric Kronengold of Arizona State University


REFERENCES

Available upon request

EDUCATION

PROFESSIONAL EXPERIENCE

GRANTS / FELLOWSHIPS / AWARDS

PUBLICATIONS

EXHIBITIONS CURATED, ASSISTED, JURIED, ETC.

ADDITIONAL SKILLS